Sennheiser E945 vs Shure SM58

Both Sennheiser E945 and SM58 have been best friends of famous artists and live performers.

In such a case, it becomes very confusing when you have to pick one from the champions.

Both the microphones have a tailored construction for live performing and vocals, and they are absolutely great at cancelling background noise and recording a crisp and clear main audio.

Then what’s the difference?

Well, here you go with your answer:

Sennheiser E945

Sennheiser E945
Sennheiser E945

Sennheiser E945 is best for performing live and even works best at live concerts.

You will definitely agree that this mic is used by many professional singers, YouTubers when it comes to audio and durability.

This genius is gonna make you rock your performance. This mic is loved by professionals due to its durability. It can do wonders while handling the harshest live performance and not giving you any trouble.

Sennheiser E945 helps in taking in loud sounds and handling the impacts very well. The frequency range of Sennheiser E945 is 40Hz and is great to use.

The mic has a mid frequency range boost, but there is a slight loophole in the mic. It will not be able to pick up sound from a range which is further than 40 Hz to 18 kHz. Along with that, you will find that there are some cuts in the higher and lower spectrum of the mic.

Shure SM58

Shure SM58
Shure SM58

Shure SM58 is great at handling middling frequencies and delivering a crystal clear output. And we all know how tricky it gets to deal with the mid range frequencies when you are recording every now and then.

Also See: Shure SM58 vs Shure 55SH

Especially if you are more into recording vocals, then you are gonna love this mic.

You get negligible noise, very low feedback, and decreased plosives to refine the main sound.

The swinging edge of this microphone ensures that you achieve the same output regardless of the fact where you plug this device in.

Build Quality

Sennheiser E945

The capsule in the mic is shock resistant. It adds up to its weight; but as you can see, this capsule shield protects the mic from getting damaged even if you handle it roughly.

The mic does not suffer any major damage even if it slips out of your hands by mistake.

The mic can be used for a longer period of time due to the design features which protect the mic. If you are out on a tour you can surely take this mic as its durability is worth testing.

The mic becomes resistant in humid and hot temperatures: thanks to the neodymium ferrous magnet feature.

If you want to use a mic for studio recording, you can surely try out the other wider ranges available.

Shure SM58

It does not have much ornamentation and luxury look-wise. But the sound! It’s simply killing. So, it gives a tough competition to other mics.

Feels like a classy and at the same time most basic mic when you hold it. Several brands have tried to copy it, but couldn’t match the performance of course.

The die cast material used for the skeleton, the enamel paint, and the metallic dome mesh add durability to the manufacturing.

Pros and Cons

Sennheiser E945

Pros
  • Durable
  • Shock-mounted capsule
  • Clear audio
  • Not sensitive to ambient noise
  • Supercardioid pickup pattern
  • Insulation from other on-stage signals
  • Neodymium ferrous magnet
Cons
  • Big on budget

Shure SM58

Pros
  • Lightweight but durable
  • Robust
  • No hassle
  • Budget friendly
Cons
  • Not great at recording instruments.

Conclusion

Well, if you want a mic for performing live then you must give a go for Sennheiser E945.

The sound of Sennheiser E945 is crisp and clear. It has the most elegant design which can be flaunted during versatile performances and tremendous live concerts. So here you are, Sennheiser E945 is surely emerging victorious.

But you surely can’t neglect SM58. It has its own benefits for the given price.

Hope this article helped you with your puzzled questions.

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Ray Baker

I am a passionate mic reviewer. Love to work on Weekends and Rest on Weekdays. In my free time I love playing with my dog, Loki.

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